I’ve recently returned from my latest research trip to the United States, a trip with a truly extraordinary backstory. This time, my journey took me to Philadelphia to explore the holdings of the University of Pennsylvania (stay tuned for more details on that in an upcoming report), and then to New York, where a rather remarkable development reached its climax.
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Retrospect 2022 / Preview 2023 | by E. Reisinger
2022 was the first full calendar year in the duration of my research project – reason enough for a short retrospective…
Continue readingIMS 2022 in Athens | by E. Reisinger
At the end of August, this conference summer held another highlight: the 21st Quinquennial Congress of the International Musicological Society.
Continue readingPerformers as Commissioners – New Research Project | by E. Reisinger
The last quarter of 2021 held something special for me: the start of my new research project “Performers as Commissioners of New Music in the Twentieth Century: Preconditions, Self-Conceptions, Impacts.” It is funded by an Elise Richter Grant (with a volume of € 379,095.37) from the Austrian Science Fund (FWF) and runs from October 2021 to September 2025 at the University for Music and Performing Arts Vienna. As a follow up to my work on Benny Goodman, this study includes further artists, who essentially shaped their instruments’ repertoires and aesthetics by hiring composers to write for them (see below), and takes the questions investigated within the Goodman-pilot onto a broader level.
Continue readingTracking Sources Along the US East Coast | by E. Reisinger
Featured image: Charles River, Cambridge/MA © private photo, E. Reisinger, 2019
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