2022 was the first full calendar year in the duration of my research project – reason enough for a short retrospective…
Continue readingRetrospect 2022 / Preview 2023 | by E. Reisinger
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Tag Archives: Benny Goodman
IMS 2022 in Athens | by E. Reisinger
At the end of August, this conference summer held another highlight: the 21st Quinquennial Congress of the International Musicological Society.
A Connection Between Wittgenstein and Goodman: Paul Hindemith | by E. Reisinger
At first glance, pianist Paul Wittgenstein and clarinetist Benny Goodman don’t have much in common. The one came from one of the wealthiest families in Austria and pursued a career as a classical pianist, although his family initially did not approve. The other grew up in poor circumstances as the son of Jewish immigrants in Chicago and achieved enormous success as a swing musician in the U.S. and around the world. And yet, in my research, I foreground their commonalities: both commissioned famous composers of their time to write new concertos for them, in one case even the same person: Paul Hindemith (1895-1963).
Continue readingPerformers as Commissioners – New Research Project | by E. Reisinger
The last quarter of 2021 held something special for me: the start of my new research project “Performers as Commissioners of New Music in the Twentieth Century: Preconditions, Self-Conceptions, Impacts.” It is funded by an Elise Richter Grant (with a volume of € 379,095.37) from the Austrian Science Fund (FWF) and runs from October 2021 to September 2025 at the University for Music and Performing Arts Vienna. As a follow up to my work on Benny Goodman, this study includes further artists, who essentially shaped their instruments’ repertoires and aesthetics by hiring composers to write for them (see below), and takes the questions investigated within the Goodman-pilot onto a broader level.
Continue readingInternational Conference of the German Society for Musicology (GfM) | by E. Reisinger
After my research stay in Basel, I was finally able to attend a conference in a physical location again (and not just online): the XVII International Congress of the German Musicological Society (GfM), from Sept. 28 to Oct. 1, in Bonn, Germany.
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