Lectures & Events


Conference Paper: “Transatlantic Perspectives on Women Performers as Patrons: Antoinette Vischer, Sylvia Marlowe, and the Modern Harpsichord” (paper at the study group meeting “Musical Patronage across Borders: Gender, Institutions, and Economics of Music” at the 21st Quinquennial IMS Congress, Athens, Aug. 2022)

Conference Paper: “The ‘Classical’ Benny Goodman: Conceptions, Perceptions, Legacies” (free paper at the 21st Quinquennial IMS Congress, Athens, Aug. 2022)


Poster Presentation: “Performers as Commissioners: Preconditions, Self-Conceptions, Impacts” (12th Biennial International Conference on Music Since 1900″, Royal Birmingham Conservatoire, UK, June 2022)

Lecture: “Ein Blick in (die Sammlung) Antoinette Vischer (1909-1973): Selbstbilder einer modernen Cembalistin” (lecture for the Colloquium of the Paul Sacher Foundation Basel, online, 7 Dec. 2021)

Lecture: “‘Swing and Mozart, too’ – Benny Goodman zwischen den Welten” (lecture in German at the Austrian Society for Music, Vienna, 19 Oct. 2021)

Poster Presentation: “‘For Benny Goodman’ – A (not so) Unexpected Legacy in Classical Music” (International Congress of the German Musicological Society, Bonn, 28 Sept. – 1 Oct. 2021)

Conference Paper: “Intermediary Between Two Worlds: The Role of Eric Simon in Benny Goodman’s Commissioning of Classical Music” (Annual Meeting of the American Musicological Society, virtual conference, Nov. 2020)