Author Archives: Elisabeth Reisinger

Chimes on the Rhine

The bells of the Basel Minster greeted me each morning when I arrived at the doors of the Paul Sacher Foundation. A short ringing inside the building signaled the lunch break for everyone. The Minster’s bell at 1 p.m. told me to come back. Eventually, the little chime at 4:45 p.m. would mark the end of the day in the archive. And from time to time, through the open window in the reading room, I would hear another bell ringing down at the river, meaning that someone was just calling the ferry. This is how my days were structured as I followed the traces of Antoinette Vischer (1909-1973), harpsichordist and patron of music at the crossroads of old and new.

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Interview with Composer Allen Shawn

Allen Shawn © 2018 by Cynthia Locklin

Recently, I had the great pleasure of talking to Allen Shawn. I had reached out to him in the context of my research on Benny Goodman, as he had received a composition commission from Goodman in 1983, resulting in a double concerto for clarinet, cello, and orchestra. Apart from that, Shawn has been working with numerous other performers throughout his career and his work is strongly influenced by such collaborations.

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